by hans peter meyer
OK. Turn back the dial about… 15 years? Who’s at the table? @meaghancursons, DCS (doesn’t have a twitter handle yet, poor guy), @hanspetermeyer. Not the same table as today, but with similar kinds of energy.
Dial into 2009. DCS isn’t doing youth work anymore. MC isn’t just fresh from running the youngest most impressive Green campaign any of us have ever seen and about to become hpm’s fave-ever employee/collaborator. hpm isn’t being Mr. Small Town & Rural Communities BC. But we’re all still talking about the same things: how much we love the Comox Valley, how excited we are to be engaged in making stuff happen here. Very good.
Except, now DCS is doing cool work with local governments, NGOs, and high-profile consultants on “sustainability” and “conservation” – BIG topic, important stuff. MC is Queen of the funnest festival around, and has just been handed a great job doing what she does so absolutely well: creating partnerships and connecting the dots. Hank, well, he’s not sure what he’s doing, but he’s having a good time doing it (actually, I do know what I’m doing: mostly it’s dancing, playing with food and beverages, and exercising various other social media skills – online and behind the bar at Hank’s Bar & Grill on Avenida Willemar).
This afternoon and evening saw the MC-DCS-hpm trio encamped in the kitchen and then the garden, eventually with glasses of very nice 2004 Z3 from Hainle Vineyards (thanks to a great little wine-pairing evening at Martine’s Bistro way back in ‘05). What were we doing? Talking about social media, sustainability, thrivability, the Comox Valley, Imagine Nanaimo, Valley Vision, the past, the future, how to animate convos, how to create energy that lasts beyond policy planning strategic exercises, etc etc. Lottsa fun.
You’ll probably see a little of this floating around. Search for things tagged #CV2050 on twitter and Facebook and YouTube – here, and here – and elsewhere. You might even see references to old things like the “Land Use Café” revived as something else – “Thrivability Café?” Hmmm… Also, check out what going to be happening on google maps. In the not too distant future you’ll see things tagged there with #CV2050 as well.
We three have imagined amazing things in the past. It was muy cool to be imagining together again. Watch this – and other – spaces. Lottsa fun!
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Thanks to Gordon Price at SFU’s City Program for this…
Hans Peter Meyer at the Real Estate Foundation is putting out a blog (and the tweets to go with it) on Communities in Transition. He was reporting on last month’s B.C. Land Summit, including interviews with the Foundation’s past executive director Tim Pringle.citinforesource.tumblr.com, Communities in Transition Information Resource, Jul 2009
You should read the whole article.
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by hans peter meyer
I am reminded of my time in Buenos Aires in the oddest places. Almost always, in the 2nd posture, in my yoga class I think of the tight cluster of streets in Bario Norte near Ecela, my Spanish language school. No idea what the connection is, but almost immediately as I am stretching up “to touch the ceiling, bending over in perfect form as if [my] hips and shoulders are between two panes of glass…” I am navigating pedestrian traffic, muchos taxis, and dog-walkers.

Dancers on the streets of Buenos Aires
Navigation of tight streets and sidewalks is not unlike what happens on a crowded dance floor, where dancers are (supposed to be) following a line of dance. What’s this “line of dance” thing? you ask. It’s the counter-clockwise flow ’round the dance floor that we do (or, we’re supposed to do) when we waltz, foxtrot, quick-step, milonga, or tango. For leads, that means we hae to consider “navigation” as well as keeping time with the music, moving her in a way that is graceful, creative, and allows her to blossom into the beautiful dance creature she is. Quite a handful of things to look after. And, lots of times other dancers aren’t “flowing” ’round the line of dance. They’re moving slower, faster, doing fancy moves, or even just standing there. All of which makes navigation a big (and eventually, exciting) part of being a decent lead.
But back to Buenos Aires (which is why I’m writing about the place these days: I’m trying to generate the energy and online presence that’ll have me back in that town for a few weeks in the next year or two, learning more dance and putting together some of the pieces for a foto + text project on the city and the dance scene there). I made a month-long visit in May 2007. My intention for that trip: to learn to dance some tango, to learn to speak some Spanish. Mission accomplished, I came home and have continued my learning about tango thanks to Kirra and the crew at vancouverislandtango.com. Whatever Spanish I picked up lingers, barely.
One of the amazing things about being in Buenos Aires, however, was experiencing a milonga. What’s a milonga? It’s confusing, really. It means two related things. One, it’s a gathering of folks who dance the various tango-based forms (tango proper, milonga, and vals). Por ejemplo, you don’t say, “Hey, lets go to the dance at the hall.” Instead, you say, “¡Hola chica, lets go to the milonga at Salon Canning!” Two, it’s also a bona fide tango-based form in itself (faster, akin to polka). In this case you might say, once you’re already at the milonga, “¿Querida, want to dance a milonga?” Yup, not a little confusing. But I don’t worry about these words anymore. I just try to get to as many milongas as possible, so I can dance as many milongas as possible, with as many muchachas as possible
Life can be so sweet.

- Image via Wikipedia
All of this was news to me when I ventured south in ‘07. I’d gone down because I thought tango was Buenos Aires was great. I met warm and affectionate people. I learned a few words and phrases in Spanish, and could carry on rudimentary convos with the guy who shined my shoes on Avenida Puerydon every Friday. I enjoyed my tango lessons. The purpose of being there, however, was not just to take lessons; it was to venture out and into the milongas where milongas and tangos were practiced real-time.
This is a big city. Nevertheless, it’s stunning to consider the roster of weekly milongas in Buenos Aires. Not quite 24/7, but it was possible to be on my feet, in my new tango boots (muy cool, de fattomano.com.ar ), from noon until 7am every day of the week. That’s 19 hours of tango y milonga. If I chose. I never chose; one of the reasons I want to go back, to see how much of the 19 hours I can actually do.
It was suggested that, for me as a novice, the milonga at the Armenian Community Centre (cruce Armenia y Jose Antonio Carbrera) in barrio Palermo, blocks from where I was staying) was a good bet. So I went. On my own. Into a muy crowded hall. It was challenging. I’ll write more about that experience later. Here I just want to say that navigation was a major challenge. I was new to the dance. I hardly spoke a word of Spanish – and almost nobody I met in BsAs spoke English. And the floor was tight, thick with bodies moving knowingly, confidently around the line of dance.
What remains in my mind isn’t the amazing display of beautiful dancing that passes for everyday tango in these milongas, it’s the image of a young man and woman dancing milonga. Buenos Aires has a rep as both a beautiful city and a city of beautiful people – particularly beautiful women. Here was one of these beautiful women, dressed simply but elegantly. Her partner, on the other hand…he could have easily stepped out of the Waverley on a Thurday from an afterwork beer, with his dirty, loose-fitting jeans and white sleeveless t-shirt. But when they moved… in my heart I determined that this was how I wanted to move with a woman, holding her close and dancing the milonga with style, grace, and speed. I was transfixed.
Cut to last night, August 24 ‘09 in the Comox Valley. Downtown Courtenay. The Zocalo Café on “Milonga Monday.” As I with a novice to tango y milonga, I remembered this image of the young couple at the Armenian hall, and realized just how much it has lain behind what I do and try to do in our little milongas here in the Comox Valley. At the Zocalo Café we don’t have much room. Besides other dancers, there are café patrons winding their way around and through the dance floor. And we continue to circulate (most of us), around the line of dance. Thanks to Kirra, I get a good crack at dancing milonga, which I am now enjoying more than tango proper. And thanks to a couple of relatively new dancers I’m feeling some of the kind dance connection that transfixed me that late, late night in barrio Palermo.
And that, ultimately, is what this dance – and all the forms that come out of tango proper – means to me: connection, a wordless creative intimacy that folds and unfolds as we move around the floor, shifting with the rhythms of the music, with the flow of the dancers, around and back when confronted with couples who aren’t moving, always and endlessly weaving and reweaving our own version of what our bodies and the music is telling us is the story of this 3 or 4 minute song. One of my favourite things to do.
… and I can hardly wait to get back to a place where I can practice this for 19 hours a day, if I choose.
If you have ideas or information about tango y milonga in Buenos Aires, please let me know.
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Filed under: Uncategorized | Tags: Argentina, Argentine tango, Bajofondo Tango Club, Buenos Aires, courtship, language schools, milonga, milonguera, milonguero, Montevideo, Spanish language, tango tourism, Wine
¡Buen dia muchachos!
… A little more on the tango /Buenos Aires project I started a few days ago.
I’m going to be posting materi
Image by hanspetermeyer.ca via Flickr
als here that speak to me about my passion for this dance, and my interest in getting back there to continue to learn to dance, to speak Spanish, to enjoy the warmth of Porteño culture. That’s one of the foci for me in the coming year: deepen the tango connection, write about it, make some fotos and videos about it, connect with resources and people in Buenos Aires, get myself there to blog, foto, film, dance, speak Spanish, visit with friends over food and wine and convos.
About the dance itself: I found this link some time ago: The Milonguera and Her Body. One of the best things I’ve read on the subject. The related article, for the man, The Milonguera [sic] and His Body, is also very good.
There’s also excellent material here by Miguel Angle Pla at the VancouverIslandTango.com site. I particularly like the way he talks about the ethic of dancing with many partners, how we cultivate and support each other and our dance community by following the tradition, in Argentine tango, of dancing a tanda (group of 2-4 songs) with one partner, breaking at the cortina (a change in music from tango to something decidedly not tango) to connect with a new partner.
It’s something we could practice in many social dance situations. As much dance is a ritual form or courtship (and there is a need – I think – for this ritualized way of connecting with a potential lover or mate), there is also a generalized (and generally glorious) responsibility for those of us who are not in this situation, who are dancing for the sheer love of dance, to share that around.
Right now I’m going through a bit of a tango/milonga withdrawl. Vancouver has lots
Image by hanspetermeyer.ca via Flickr
of tango going on, relatively speaking, but my schedule isn’t going to admit of any dancing this week. I just found out that the beautiful “Tango in the Park” event in my home town is rescheduled for this weekend. A good thing for me, as I was missing it. Now, perhaps, I’ll be back in town to enjoy it! Until then, I’ll have to hope that the DJ for my birthday dance party this weekend slips in the milongas I asked for, particularly the new side by Montevideo’s Bajofondo Tango Club, Borges y Paraguay. This video clip from YouTube here isn’t milonga, but it’s a pretty cool interpretation of this piece of music (which serendipitously also refers to a pretty cool corner of Buenos Aires that was just down the street from where I spent most of a month in 2007).
Question: Can anyone recommend a great little B&B/tango studio, or even just a B&B or homestay in the Palermo or San Telmo barrios in Buenos Aires?
¡Chau!
Filed under: Uncategorized | Tags: Argentine tango, Buenos Aires, Comox Valley, Dance, Kris Krüg, photography, Spanish language, tango tourism, travel
OK, primero paso, first step… my first time out of the gate, being public about what I want to do viz my interest in Buenos Aires, Argentine tango, the food, wine, and culture of this amazing
Image by hanspetermeyer.ca via Flickr
city.
Here goes: I’m a writer/photographer/social media guy – and a passionate dancer. While I love to dance many kinds of dance, my “desert island” dance is Argentine tango. Why?
Let’s just say it’s the most “connected” of the dances I’ve had the pleasure to dance so far. The deeper I get into it, the deeper it gets. It’s like a bottomless pool. And the more I swim in it, the more I love it (did I mention that I love getting wet?)
This isn’t about “sex,” though most people associate tango, and A-tango particularly, with being sexual. I must say there’s a sexual energy about this dance when I connect with someone. But it’s not about you and me and let’s have sex. It’s more like, you and me and we’re creative, sensual energies and this dance creates a space and time for mutual creativity that isn’t about sex so much as it is about creative, body-centred dialogue.
Does that make sense? Hmmmm….
Image by hanspetermeyer.ca via Flickr
In any event, I went to Buenos Aires a couple of years ago. (I wrote a little about it in this blog about why I love to dance.) Spent a month there doing a kind of self-imposed “Argentine tango boot camp”(muchos horas en las classes, muchos bailes con muchos mujers), and came back to my little town to discover and enjoy ongoing A-tango and milongas courtesy of Kirra G (@tangocorazon) and the dedication of folks like Tom and Jeanette (many thanks to you, and to all the others who make up our A-tango community). Check out www.vancouverislandtango.com for more info on this part of the story.
I can dance at home now. Which is cool. But as a photo guy and writer, I’m inspired to go back to BsAs. This is where the dance originated, yes. But it’s also where it’s growing, changing, where thousands of folks dance in many, many halls from noon to 7am every day – that’s 19 hours of opportunity to dance, every single day of the week!
Image by hanspetermeyer.ca via Flickr
I want to explore the changing and emerging world of this dance as it is evolving. I want to describe, in words and images, the passion, but also the simple, respectful dialogue that happens within the 3-4 minutes of a song, the 2-4 dances that a couple will dance in a tanda. I want to somehow generate a dynamic, thoughtful, but expressive sense of what it means to be inside this dance, and in this strange and beautiful place so far from home.
Here’s the vision this morning: I’ll find a B&B or apartment in BsAs that’ll host me, preferably associated with a tango school or a language school (I’m also keen to add to the bit of Spanish I picked up whilst there last time). I’ll be sponsored by a tango or language school to take some classes. I’ll re-connect with the friends I made in BsAs, and we’ll tour the various tango bars and milongas. With the help of friens, I’ll put together a dynamic “story” (words, images, social media, video) about this place, this time.
Putting this out here now is a way for me to say, “Hey, I’m making this first step. Hold me to the path folks!”
Thanks Kris Krüg (@kk) for making the obvious clear to me.
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by hans peter meyer
One of the things I love about twitter is how quickly important news travels. Or, how quickly news that’s important to me travels directly to me. Today’s tidbit: TimberWest, which owns thousands of acres of primo Douglas Fir forest land on Vancouver Island, just launched a lawsuit against several local governments over the issue of local taxes. Read about it here.
Some people might think that twitter is another excuse for those of us with distractability issues. Maybe. But, if I’m careful, I can avoid the firehose of info that’s aimed me and select only those twitter feeds I want to follow. For example, I’m interested in forest industry issues in Canada. So I follow the only Canadian twitter feed on forest industrial issues (@ForestTalk). Depending on what’s cooking in the Canadian forest industry, I and get daily or hourly updates on things like mill closures, government policy, what our trading partners are doing, etc. Most of the news is from the east, and this makes me think we need a similar resource in BC. But BC topics do get coverage. Like today.
With the help of twitter I now know that the folks who run TimberWest really are struggling. OK, I knew this already. I know it not because of twitter, but because I live in a town that still depends on forest industry dollars for its well-being (golfers and retirees and tourists still haven’t supplanted our one true source of real wealth: our forests). I live in a region that is hugely dependent on the industry. Places like Campbell River up the road, Powell River across the water, Port Alberni just across the mountains, and the Cowichan Valley south of us are all places built on the rich Douglas Fir forests that persist in growing here (even after being laid flat a couple or three times through logging and fire and clearing for farming). Living here, in towns that are dominated by a very small handful of licensees (TimberWest, Western Forest, Interfor) means being aware that things are not going well in the woods. Decisions made at government level and in private sector board rooms have not boded well for the industry. It’s been even worse at a community level.
Today’s news tells me things are worse than I thought because TimberWest isn’t even doing what’s in the best interest of short-term shareholders. Over the past couple of decades they’ve worked hard to accumlate a huge chunk of the large private holdings on Vancouver Island. This is number one Douglas Fir ground. It’s also number one real estate development ground. Shareholders are anxious about dividends, which makes boards anxious about their salaries. The idea to turn the unique forest wealth of the region into real estate is a no-brainer. Really. A no-brainer: that anyone would sacrifice long-term economic (not to mention social and ecological) well-being for short-term profit at a time when the world is crying for long-term thinking… a no-brainer.
But it gets even better (or worse): Now the industrial giant is suing the very folks they need to ask favours from. Couverdon, the real estate arm of TimberWest, can’t do much with its real estate dreams unless local governments – like those in North Cowichan, Port Alberni, and Campbell River (or sister municipalities who may not take kindly to their neighbours getting bullied) – rezone or otherwise make “developable” these huge chunks of forest land. I’ve shaken my head on this forest land for real estate issue before. I’m shaking it again. Truly amazed.
It’s a worst case scenario for everyone. Citizens in small, stressed coastal communities (stressed because of bad decisions by government and industry) will now get to pay more taxes to simply deal with these lawsuits. TimberWest, which could be doing some very creative things with its forest lands besides liquidating them, is thinking like a 1980s short-term corporation and losing goodwill and investor confidence (who would want to invest in a company that is consistenly behaving so badly? consistently coming up with new dumb ideas?).
Thanks to twitter I know about, and I can “tweet” about it – and have. June 10, 2009. A stupid day for the folks making decisions at TimberWest. A bad day for the folks in Campbell River, Port Alberni, Powell River, and North Cowichan. A bad day for shareholders in TimberWest. A bad marketing day for the folks at Couverdon.
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hans peter meyer
tel: 250-897-1408 / cell: 250-792-1408
www.hanspetermeyer.ca
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hans peter meyer
www.hanspetermeyer.ca
follow me at ….
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by hans peter meyer
follow me at ….
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